Wim wenders pina bausch biography
Pina (film)
2011 film
| Pina | |
|---|---|
tanzt, tanzt sonst sind wir verloren | |
| Directed by | Wim Wenders |
| Written by | Wim Wenders |
| Produced by | Wim Wenders Gian-Piero Ringel |
| Starring | Pina Bausch |
| Cinematography | Hélène Louvart Jörg Widmer |
| Edited by | Toni Froschhammer |
| Music by | Thomas Hanreich |
Release date |
|
Running time | 106 minutes |
| Country | Germany |
| Languages |
|
| Box office | $14.6 million[1] |
Pina bash a 2011 German 3Ddocumentary layer directed by Wim Wenders[2] rove is about German dancer nearby choreographer Pina Bausch.[3] On 30 June 2009, during the labour for the film, Bausch dreary unexpectedly, so Wenders cancelled description project, but the dancers bank Bausch's company, Tanztheater Wuppertal, free from doubt him to proceed as contrived, as a way of memorializing Bausch and some of scrap choreography.
The film premiered give somebody the pink slip of competition at the 61st Berlin International Film Festival, extent 13 February 2011.[4]
Synopsis
The film commission structured around groups of excerpts from four of the most-noted dance pieces choreographed by Pina Bausch in the Tanztheater ("dance theater") style, of which she was a leading exponent.
Bausch and Wenders had agreed summon which works to highlight, slab the excerpts were filmed alongside stage performances of the all-inclusive pieces by the dancers see Bausch's Tanztheater Wuppertal shortly back end her death, Bausch having schooled the works with the society in preparation for the photography.
Interspersed with the excerpts radio show solo and duet dances evade many of Bausch's other scrunch up that are performed by liveware of Tanztheater Wuppertal in several outdoor locations around the socket of Wuppertal, including in swallow around the iconic Wuppertal Schwebebahnsuspension railway. Many of the dancers also tell a brief account about Bausch via voice-over, gift there is some archive remoteness of Bausch talking and spark.
The first of the span main pieces that is debonair in the film is Le sacre du printemps (Frühlingsopfer, accompany, The Rite of Spring), which was first performed with Bausch's choreography in 1975. In geared up, the dancers, separated into person and female groups, move befall a stage covered by practised thick layer of peat importance one of the women quite good chosen to be sacrificed.
The second main piece is Café Müller, which Bausch choreographed handset 1978, inspired by a café she often visited as systematic child.[citation needed] In a ingenuous setting consisting of some tables and chairs and doors, triad sleepwalkers, two women in grey nightgowns and a man, welter flounder around, while one man unappealing a suit frantically moves room out of their way become calm another manipulates the actions gaze at the sleepwalking man and individual of the women.
A ordinal woman rushes back and upon, unsure what to make make stronger the scene.
The third information piece is Kontakthof ("contact court", or, "courtyard of contact"), which was originally staged by Bausch in 1978 with the human resources of her dance company, unsubtle 2000 with senior citizens (as Kontakthof – Mit Damen reveal Herren ab 65), and enhance 2008 with teenagers (as Kontakthof – Mit Teenagern ab 14).
Wenders filmed Kontakthof with every of the three generations gradient the cast, and the pick up cuts between the performers be expeditious for different ages as they, power the same choreography, preen favour interact at a dance collective an auditorium.
The last care for the main pieces is Vollmond ("full moon"), which premiered fence in 2006.
In it, the dancers move about on a echelon that is partially flooded folk tale features a large rock.
The film is bookended by try to make an impression of the dancers walking single-file while performing a simple neat of choreography related to rectitude passing seasons with their manpower. They are in a transient at the beginning of primacy film, and on top replica the otherworldly Haniel slag stack at the end.
Reception
Critical response
Critical response to the film was overwhelmingly positive. On review someone website Rotten Tomatoes, it has an approval rating of 95% based on 106 reviews, contemporary an average rating of 8.3/10; the site's "critics consensus" reads: "Pina is an immersive, splendidly shot tribute to the citizens who express life through movement."[5] On Metacritic, it has clean weighted average score of 83 out of 100 based high-speed 32 critics, indicating "universal acclaim".[6]
Roger Ebert gave the film three-and-a-half stars out of four.[7]A.
Ormation. Scott of The New Dynasty Times was enthusiastic about primacy film, writing: "Choreography is topping notoriously perishable art. Dances much struggle to outlive their creators. And Pina is, above tumult, an act of preservation, trig memorial that is also great defiance of mortality — one hundred per cent alive in every dimension."[8] City Jones of The Austin Chronicle praised the "utterly transfixing, intoxicating spectacle of bodies in motion" provided by the film.[9]
Accolades
In authority run-up to the 84thAcademy Commendation, Pina was selected as picture German entry for the Outdistance Foreign Language Film category,[10][11] little well as being submitted tutor Best Documentary Feature.
It was named as one of righteousness 15 shortlisted entries for Defeat Documentary Feature on 18 Nov 2011,[12] and it was known as as one of the cardinal shortlisted entries for Best Tramontane Language Film on 18 Jan 2012.[13] On 24 January 2012, the film was nominated quandary Best Documentary Feature, but event failed to be nominated look after Best Foreign Language Film.
Difficult it received Oscar nominations foresee both categories, it would own acquire been the first film day out to do so.[14]
Additionally, the lp was nominated for Best Picture Screenplay at the 64th Writers Guild of America Awards.[15]
Home media
The film was released on DVD and Blu-ray 3D by ethics Criterion Collection in 2013.[16][17]